Studio work 2016

Since November I've moved to the Isle of Wight for 5 months. While I'm here I'm working on a few projects and a new book.

I'm also entering the Folio Society annual competition, which I enter every year. This year is Mansfield Park. It's a very difficult novel to get to grips with. Firstly, the heroine - Fanny Price - is a very problematic character. She is shy, quiet and often makes things more difficult for herself by being very passive, and willing to take the backseat. On the other side of her character, she is very judgmental of people she finds 'unworthy' or lacking 'moral fibre'. 

On my first reading of Mansfield Park (I actually started by listening to the audio book) I found it very hard to have any sympathy for Fanny. Then, on reading it again I came to the realisation that Fanny may be acting in this way because she is depressed. Constantly sidelined by her wealthy relations, made to sleep in the cold attic, having only one true friend at Mansfield Park could be the result of her mental state. 

Finally, I read the book one more time with this idea in mind - Fanny Price is suffering from depression - and the whole of her character opened up to me. I began to understand her - I could see where she was coming from. She had a deep pain inside her, and she needed to let it out.

This understanding of the central character in Mansfield Park has definitely influenced my drawing style for this project. I'll post the final spreads when I can.

L xxx

Urban Mapping at the V&A

Being an illustrator : How to get inspired again

Hello again from (stormy and sunny) Cornwall!

One thing I get asked a lot by illustrators/friends/tweets etc is what happens when you're creatively stuck? What happens when your style seems jammed up, and you can't produce anything good?

I think it's really important to remember we've all been there - staring at a blank page and having no idea what to fill it with, and even wondering if we want to fill it. My advice is always this: step away from the page, and give yourself a break. Go for a walk, do something else, read a book, go to a gallery. Be aware that you might just not want to do any work, and forcing yourself to produce something below your usual standard will just make you feel rubbish. Many artists who work alone, writers, musicians, illustrators etc will often beat themselves up with damaging inner monologue - 'why can't I work? What's wrong with me?' The truthful answer is - nothing. Nothing's wrong with you - the minute you substitute unkind thoughts for kind ones - 'you're doing great, you're OK', is the moment ideas become more free, and work starts to flow.

I often find that pushing yourself out of your comfort zone helps also.  Maybe try something different. After my time with the Beehive Design Collective, I've been inspired to do work with washes and inks much more. It's brought a depth to my work that's slightly different, and it's something that I find really exciting. 

Inks from Atlantis art shop, Hanover Street, Brick Lane

 For those who know my usual personal art work, I use lots of pen and ink and specialise in urban cartography (see below image of Chinatown © 2008) 

Chinatown © 2008, pen and ink

But recently I've been looking at lots of different ways of exploring my surroundings with my pen. Working on my new solo show with the Serena Morton Gallery, I've been researching and drawing London's lesser known treasures and committing them to the page. Below is the start of my piece of the Necropolis Railway near Waterloo, and below that is the Guy's Operating Theatre and Museum. 

Necropolis Railway, work in progress 2014/2015

Guys Operating Theatre Museum

So next time you're faced with this...

...then pop down to the art shop and try something different. 

You never know what could happen!

L x