Studio work 2016

Since November I've moved to the Isle of Wight for 5 months. While I'm here I'm working on a few projects and a new book.

I'm also entering the Folio Society annual competition, which I enter every year. This year is Mansfield Park. It's a very difficult novel to get to grips with. Firstly, the heroine - Fanny Price - is a very problematic character. She is shy, quiet and often makes things more difficult for herself by being very passive, and willing to take the backseat. On the other side of her character, she is very judgmental of people she finds 'unworthy' or lacking 'moral fibre'. 

On my first reading of Mansfield Park (I actually started by listening to the audio book) I found it very hard to have any sympathy for Fanny. Then, on reading it again I came to the realisation that Fanny may be acting in this way because she is depressed. Constantly sidelined by her wealthy relations, made to sleep in the cold attic, having only one true friend at Mansfield Park could be the result of her mental state. 

Finally, I read the book one more time with this idea in mind - Fanny Price is suffering from depression - and the whole of her character opened up to me. I began to understand her - I could see where she was coming from. She had a deep pain inside her, and she needed to let it out.

This understanding of the central character in Mansfield Park has definitely influenced my drawing style for this project. I'll post the final spreads when I can.

L xxx

How a Late Paying Client Can Ruin a Freelance Business

Aaaah dear. This again. This AGAIN.

As an artist and a freelance illustrator, I've always known the key differences in the two. As an artist, I work by myself, for myself. I create work that I love. Art that makes me calm and happy. And the way I am able to make art is by creating illustrations for different clients. 

And I love it.

There's nothing better than getting a challenging brief and really pushing yourself, and then getting it right. Also as an illustrator, I end up working more collaboratively. My job is to help visualise what the client wants, and sometimes I have to pull away and do my own thing to get the best results. 

It's all cool.

So the job's over, and weeks turn into months, and no payment shows up. This becomes really tricky. A freelance budget is constantly precarious. You're relying on the goodwill of your clients to pay when they say they will, and if they put it off, forget to pay you, or flat out refuse by dodging emails or losing your invoice, then you're in trouble.  

A late payment can be the difference between just getting by, and wracking up extortionate bank charges. A late payment can be the end of the line for an illustrator. 

It's hard to imagine for many people not getting a pay check every month. Every month, on the dot, you'll get paid. You may have had a slow month at work, it may have been one of the most stressful, but you know each month that the money is coming in. 

This is not the case for freelancers. 

I can budget all I want - things can look rosy. Jobs are lined up and are being illustrated. And then, the silence after the job. The long months of worry as you watch your careful plans for your business' survival crumbling. 

Why? 

Because your huge corporation of a client wants to hang on to your bill just one month longer. Screw the illustrator. She'll be fine. We don't care any way. 

Well - here's the thing...a late payment is death to a freelancers business. A business that they've spent years nurturing with loving hard work and long hours.  

So clients, when you've commissioned an illustrator...just pay your damn bill. 

Thank you.

Recent things that have happened - OFFF Barcelona, Penguin book, Evening Standard, drawing

DAKS 120th Anniversary mural, Hong Kong

Here are some pictures of our trip to Hong Kong where I was commissioned to create a mural for DAKS. It was the 120th Anniversary celebration for this lovely brand, and I created the mural over 3 days at Pacific Place, Hong Kong

x

Featured in Homes and Interiors Scotland

Image Dump

This has been a crazy few months, with lots of exciting commissions. Some private commissions and some commercial. They've all been challenging and cool in their own ways. 

Here are a few images of some of the works in progress. 

Now - back to work!

Starting 3 month project today - bring on the inspiration and perspiration

Failure, Rejection and How to Move On

Failure, Rejection and How to Move On

www.lizziemarycullen.com

Today with my diploma students I was discussing failure. It's a fairly meaty subject, and one that people respond to differently.

In the creative sector, we fail all the time. 

I failed at least ten times last week alone; rejection of work to blogs, (My Modern Met) a drawing mistake during a work-in-progress, (private commission) and perhaps worst of all, failure to help an old lady I saw on the street cross the road.  Seriously - her forlone image haunted me all the way home.  So much so, that I wanted to head back the way I had come in the hope that she was still there, just so that I could redeem myself. 

And so, today with my students, I asked them all to identify a moment in their lives where they believed they had failed, and invited them to share with everyone in the room how they dealt with it.

I received a variety of different answers, many varying situations; job interviews gone wrong, relationships broken apart, feeling like an inadequate parent. 

Russell and Katy...fail?

The list went on, and on. 

The more we discussed it, and the more 'failures' we shared, it was clear that all these forays of misadventure had one thing in common; in one way or another, every one of my students had learned from the experience. 

We use failure as an important learning device everyday, whether we realise it or not. 

My rejection from My Modern Met had me panicked, and that panic, coupled with a fierce desire to prove my worth, resulted in my landing my next big job (long story!) 

A student in my class was rejected from their dream course, and then landed a coveted place at one of the best colleges in the country, through the same frenzied desire to prove himself.

I'm not sure where I'm going with this, but I guess I'm trying to say: embrace your failures. They were probably meant to happen. Your defeat will only make you work harder, be better, and in the end, result in you becoming more awesome.

To see some of my (occasionally rejected!) work, check out my new Tumblr page! 

http://cityillustrations.tumblr.com/

End : )